[…] Anita Hartig’s Susanna … clearly cares very much for Figaro, Cherubino and the Countess, and she takes gleeful pride in her schemes to foil the Count’s advances. Hartig is the quintessential soubrette, with a light, pure soprano that carries well. She uses its sweetness and range of volumes and textures to excellent effect, especially in “Deh vieni, non tardar” […]
Ilana Walder-Biesanz – Bachtrack
