(…) Dans la peau de Violetta, Anita Hartig émerveille par la fragilité d’une émotion agréablement dépouillée et la solidité d’un chant défendu avec une voix puissante et colorée. Les angoisses de Violetta gangrènent chaque intervention de la soprano auréolée d’une belle envergure artistique.(…) Charlotte Saulneron – ResMusica (…) Vocalement, le rôle est très particulier pour une …
(…) Diferente timbre es el que ofreció la soprano rumana Anita Hartig en su papel de Mimí, que tuvo una impronta más dramática en los dos primeros actos para ir dulcificándose en el tercero y más en el cuarto, lo que favoreció que su interpretación fuera creciendo en frescura y naturalidad conforme transcurría la representación, …
(…) Challenge relevé haut la main par Anita Hartig, pensionnaire des plus grandes scènes de la planète (New York, Vienne, MilanLondres, Paris, etc.). Cette cantatrice déploie un soprano de grand lyrique au timbre magnifiquement charnu et lumineux, somptueusement conduit au travers d’une ligne de chant dans laquelle la virtuosité le dispute à la musicalité et …
(…) Anita Hartig singt eine Liù, die Wünsche kaum offen lässt. Der Klang gleicht glasklarem Chablis Grand Cru Vaudesir, das Vibrato ist kostbar. Hartig hat den Ton für die Seelenoffenbarung, der Klangkontur ist meist glasklar. Die Höhe vibriert geheimnisvoll und lässt eine delikate Schärfe mitschwingen. Dabei ist Hartigs „Signore, ascolta“ durchaus nicht das Gelungenste ihres Auftritts, …
[…] The character’s music goes on forever, and, undaunted, the Romanian soprano sustained power and charm, even elegance, virtually without pause. In a staging that forces the action forward to the 1930s (and, in the process makes the inherent droit de seigneur plotting seem a bit odd), she modelled a modest maid’s uniform, and somehow …
[…] It was Monday’s Liù, though, who won the audience’s most ecstatically proclaimed affections. This is the second Puccini role for Anita Hartig at the Met, and she was even more impressive here than she had been in her debut as Mimì two seasons ago. From her very first moments, it was clear that she …
[…] Das Augenmerk richtete sich aber insbesondere auf Anita Hartig als Mimi, die mit dieser, ihrer bevorzugten, Partie Maßstäbe setzte. Sie spielte nicht vordergründig, sondern drückte alles mit ihrem Gesang aus. Sie war einfach die Mimi mit ihrer klangschönen, weichen, geschmeidigen und sehr ausdrucksvollen Stimme, die in der Höhe noch weiter „aufblüht“ und bei der …
[…] Anita Hartig’s gentle, sweetly sung Susanna (what a lovely purity of sound she finds for her nocturnal aria in the garden) is likely to have her hands full married to a Figaro like this. […] Played with humanity and warmth, this production of Figaro is invariably a pleasure to see. Richard Fairman – The Financial …
[…] Pero la mayor sensación la causó la joven soprano Anita Hartig en un doble debut, era su primera Violetta, y era su primera aparición en el Liceu de Barcelona, un reto que superó cosechando un gran y merecidísimo éxito. […] Una función llena de alicientes que cumplió con las expectativas y confirmó a Anita Hartig como …
[…] Anita Hartig’s Susanna … clearly cares very much for Figaro, Cherubino and the Countess, and she takes gleeful pride in her schemes to foil the Count’s advances. Hartig is the quintessential soubrette, with a light, pure soprano that carries well. She uses its sweetness and range of volumes and textures to excellent effect, especially in …
[…] Anita Hartig’s Micaëla is a breath of fresh air in the dark drama, and her clear and beautiful soprano with a hint of warmth is a perfect instrument for an innocent but determined peasant girl. Her Act III aria combined her fear and hope with elegant phrasing and poignant high notes, and she deservedly brought …
Anita Hartig, soprano from Romania, sings with such soulfulness and earnestness that she reminds you that the opera characters we most love are the ones with genuine humanity. Fred Plotkin – WQXR
[…] She imbued her singing with both a shy plaintiveness and ardency in “Mi chiamano Mimì.” […] Vivien Schweitzer – New York Times
(…) Anita Hartig brings a limpid, unaffected sweetness to Mimi – her voice responding with ease in all her scenes. Both her first and third act arias were immaculately constructed, and her “farewell” subtly understated – and as such, all the more affecting. The tone fills out nicely above the stave with a well centred …
La giovane Mimi, Anita Hartig, 29 anni rumena, un timbro cristallino, una voce vibrante di passione decisamente interessante che subito conquista il pubblico. La musica, che incanta e catalizza, è la protagonista, ed è diretta dal giovane e talentuoso Daniele Rustioni che ha condotto con maturità assoluta e maestria quest’opera senza tempo. Emanuela Beretta – …
Gradevole e spigliata nell’interpretazione Anita Hartig, Marzelline (…) Al termine il pubblico ha tributato un convinto successo ad orchestra, coro, direttore e voci soliste, rafforzato da numerose chiamate e da un entusiasmo vivissimo. Emanuele Amoroso – Opera Click