The press section of the official website of the Romanian soprano Anita Hartig contains the echoes of her performances. After each performance, everywhere in the world, the journalists acknowledge her artistry. They publish on regular basis professional opinions on Anita’s beautiful singing. This section embeds the most relevant facts and links to the online journals and blogs. Lately, opera lovers enjoy sharing their genuine opinion on the performance. They create online communities where their opinions are debated. This new trend is welcomed because most of them have well informed descriptions.
This section is divided in two sub sections, press – reviews and interviews. As a result, it makes it is easier for the readers to find what the consider to be more interesting on a certain topic. It also contains all the necessary credits: the name of the journalist and name of the paper and the date the article was published.
Enjoy reading about Anita Hartig’s performances in Europe, US and all around the world!
I’m a member of Vienna’s State Opera, which is based in the heart of the city. Luckily, I can jump on a tram that takes me all the way in, just in time for first rehearsal at 10. I’ve been a member of the theater’s ensemble for over three years now, so Vienna is very …
(…) Anita Hartig brings a limpid, unaffected sweetness to Mimi – her voice responding with ease in all her scenes. Both her first and third act arias were immaculately constructed, and her “farewell” subtly understated – and as such, all the more affecting. The tone fills out nicely above the stave with a well centred …
A friend of mine told me (when) I was 17 years old (that) I should sing opera because I had an interesting voice. I said: “Oh my gosh, No! These fat ladies singing on stage!” She gave me two Maria Callas CDs, I listened to them and I started to sing the high notes. I …
CNN Special – Interview with Anita Hartig – VIDEO Read More »
La giovane Mimi, Anita Hartig, 29 anni rumena, un timbro cristallino, una voce vibrante di passione decisamente interessante che subito conquista il pubblico. La musica, che incanta e catalizza, è la protagonista, ed è diretta dal giovane e talentuoso Daniele Rustioni che ha condotto con maturità assoluta e maestria quest’opera senza tempo. Emanuela Beretta – …
Gradevole e spigliata nell’interpretazione Anita Hartig, Marzelline (…) Al termine il pubblico ha tributato un convinto successo ad orchestra, coro, direttore e voci soliste, rafforzato da numerose chiamate e da un entusiasmo vivissimo. Emanuele Amoroso – Opera Click