The press section of the official website of the Romanian soprano Anita Hartig contains the echoes of her performances. After each performance, everywhere in the world, the journalists acknowledge her artistry. They publish on regular basis professional opinions on Anita’s beautiful singing. This section embeds the most relevant facts and links to the online journals and blogs. Lately, opera lovers enjoy sharing their genuine opinion on the performance. They create online communities where their opinions are debated. This new trend is welcomed because most of them have well informed descriptions.
This section is divided in two sub sections, press – reviews and interviews. As a result, it makes it is easier for the readers to find what the consider to be more interesting on a certain topic. It also contains all the necessary credits: the name of the journalist and name of the paper and the date the article was published.
Enjoy reading about Anita Hartig’s performances in Europe, US and all around the world!
Violetta Valery, Liù, sobre todo Mimì, Anita Hartig es la Mimì del momento. La versatilidad y características de su voz y su sensibilidad y capacidad dramática sobre el escenario, hacen de la soprano rumana una de las voces más demandadas por los principales teatros del mundo. Habla para nosotros antes de sus próximas actuaciones en …
By David Salazar. A Student Of Life & Opera – Soprano Anita Hartig On Navigating The Challenges of The Modern World As An Opera Star. The Metropolitan Opera House, the Royal Opera House Muscat, the Gran Teatre del Liceu, the Vienna State Opera, the Opernhaus Zürich, the Opéra National de Paris, the San Francisco Opera, …
(…) Dans la peau de Violetta, Anita Hartig émerveille par la fragilité d’une émotion agréablement dépouillée et la solidité d’un chant défendu avec une voix puissante et colorée. Les angoisses de Violetta gangrènent chaque intervention de la soprano auréolée d’une belle envergure artistique.(…) Charlotte Saulneron – ResMusica (…) Vocalement, le rôle est très particulier pour une …
“The public needs strong emotion to be impressed. And usually that’s why the composer lets the lyrical soprano die, because then the public is more like, ‘Oh, no! She died! She was so innocent!’ But exactly. That’s the point.” […] […] Mimì, she adds, is “one of the most approachable lyrical roles of Puccini for …
“Debes dejar tu huella en cada papel que interpretas” (…) Acabas de debutar hace unas semanas en el Met el rol de Antonia. Y además actuaste el rol de Stella. ¿Cómo surgió esta oportunidad de hacer a Antonia por primera vez? Si recuerdo bien, tenía que hacer La bohème de nuevo en el Met y de alguna …
(…) Diferente timbre es el que ofreció la soprano rumana Anita Hartig en su papel de Mimí, que tuvo una impronta más dramática en los dos primeros actos para ir dulcificándose en el tercero y más en el cuarto, lo que favoreció que su interpretación fuera creciendo en frescura y naturalidad conforme transcurría la representación, …
(…) Challenge relevé haut la main par Anita Hartig, pensionnaire des plus grandes scènes de la planète (New York, Vienne, MilanLondres, Paris, etc.). Cette cantatrice déploie un soprano de grand lyrique au timbre magnifiquement charnu et lumineux, somptueusement conduit au travers d’une ligne de chant dans laquelle la virtuosité le dispute à la musicalité et …
(…) Anita Hartig singt eine Liù, die Wünsche kaum offen lässt. Der Klang gleicht glasklarem Chablis Grand Cru Vaudesir, das Vibrato ist kostbar. Hartig hat den Ton für die Seelenoffenbarung, der Klangkontur ist meist glasklar. Die Höhe vibriert geheimnisvoll und lässt eine delikate Schärfe mitschwingen. Dabei ist Hartigs „Signore, ascolta“ durchaus nicht das Gelungenste ihres Auftritts, …
[…] The character’s music goes on forever, and, undaunted, the Romanian soprano sustained power and charm, even elegance, virtually without pause. In a staging that forces the action forward to the 1930s (and, in the process makes the inherent droit de seigneur plotting seem a bit odd), she modelled a modest maid’s uniform, and somehow …
[…] It was Monday’s Liù, though, who won the audience’s most ecstatically proclaimed affections. This is the second Puccini role for Anita Hartig at the Met, and she was even more impressive here than she had been in her debut as Mimì two seasons ago. From her very first moments, it was clear that she …
[…] Das Augenmerk richtete sich aber insbesondere auf Anita Hartig als Mimi, die mit dieser, ihrer bevorzugten, Partie Maßstäbe setzte. Sie spielte nicht vordergründig, sondern drückte alles mit ihrem Gesang aus. Sie war einfach die Mimi mit ihrer klangschönen, weichen, geschmeidigen und sehr ausdrucksvollen Stimme, die in der Höhe noch weiter „aufblüht“ und bei der …
După nouă ani de la debutul pe scena Operei Naționale clujene, cu rolul Mimi din spectacolul „Boema”, soprana de renume mondial Anita Hartig revine la Cluj pentru interpretarea aceluiași rol în opera lui Giacomo Puccini. „Acest rol pare că mă urmărește peste tot”, a precizat bistrițeanca Anita Hartig la întâlnirea cu presa, cu doar câteva …
[…] Anita Hartig’s gentle, sweetly sung Susanna (what a lovely purity of sound she finds for her nocturnal aria in the garden) is likely to have her hands full married to a Figaro like this. […] Played with humanity and warmth, this production of Figaro is invariably a pleasure to see. Richard Fairman – The Financial …
[…] Pero la mayor sensación la causó la joven soprano Anita Hartig en un doble debut, era su primera Violetta, y era su primera aparición en el Liceu de Barcelona, un reto que superó cosechando un gran y merecidísimo éxito. […] Una función llena de alicientes que cumplió con las expectativas y confirmó a Anita Hartig como …
Signora Hartig, lei ha iniziato gli studi musicali in Romania, fino a giungere ai teatri più importanti del mondo. Ha un ricordo dei suoi inizi. Che cosa l’ha spinta ad avvicinarsi al mondo della musica e dell’Opera Lirica? Ricordo esattamente come ho cominciato ad amare l’opera; ho sempre cantato dalla musica popolare tedesca, fino a …
[…] Anita Hartig’s Susanna … clearly cares very much for Figaro, Cherubino and the Countess, and she takes gleeful pride in her schemes to foil the Count’s advances. Hartig is the quintessential soubrette, with a light, pure soprano that carries well. She uses its sweetness and range of volumes and textures to excellent effect, especially in …
[…] Anita Hartig’s Micaëla is a breath of fresh air in the dark drama, and her clear and beautiful soprano with a hint of warmth is a perfect instrument for an innocent but determined peasant girl. Her Act III aria combined her fear and hope with elegant phrasing and poignant high notes, and she deservedly brought …
Anita Hartig, soprano from Romania, sings with such soulfulness and earnestness that she reminds you that the opera characters we most love are the ones with genuine humanity. Fred Plotkin – WQXR
[…] She imbued her singing with both a shy plaintiveness and ardency in “Mi chiamano Mimì.” […] Vivien Schweitzer – New York Times
